- Home /
- MICROPHONES /
- Vocal Microphones /
- EV PL24S Vocal Microphone w Switch
Shop Now
- ALL NEW LINES
- AMPLIFIERS
- BRASS INSTRUMENTS
- CABLES & LEADS
- CASES & BAGS
- DJ Equipment
- DRUM
- EFFECTS
- FOLK INSTRUMENTS
- GIFT VOUCHER
- GIFTS & CLOTHING
- GUITAR
- GUITAR & FOLK ACCESSORIES
- HOME RECORDING
- KEYBOARD
- LIVE SOUND
- MICROPHONES
- ORCHESTRAL
-
PERCUSSION
- Agogo Bells
- Bells
- Bodhrans
- Bongos
- Boomwhackers
- Cabasas
- Cajon
- Castanets
- Claves
- Didgeridoos
- Djembe
- Egg Shakers
- Finger Cymbals
- Glockenspiels
- Guiros
- Handpans
- Jaw Harps
- Jingle Sticks
- Jumbie Jams
- Kalimba
- Maracas and Shakers
- Ocean Drums
- Pan Pipes
- Percussion Sets
- Rain Sticks
- Ratchets
- Tambourines and Tambours
- Tone Blocks
- Tongue Drum
- Triangles
- Wood Blocks
- PIANO
- REEDS
-
SHEET MUSIC
- Alto Saxophone
- Aural Piano and other Instrume
- Australian Music
- Band and Orchestral Methods
- Banjo Methods
- Bass Guitar Methods
- Bongo Methods
- Broadway Movies and Shows
- Childrens Songbooks
- Chords and Scales
- Christmas Music
- Clarinet
- Classical Piano
- Country
- Djembe Methods
- Drum Methods
- Easy Guitar
- Easy Piano
- Exam Brass and Wind
- Exam Piano
- Exam Strings
- Exam Vocal
- EZY Play
- Flute
- Guitar
- Guitar Methods
- Harmonica Methods
- Jazz and Blues Piano
- Keyboard Methods
- Mandolin Methods
- Manuscript
- Pedal Steel Methods
- Piano Duets
- Piano Methods
- Piano Solo
- PVG Piano Vocal Guitar
- Recorder Methods
- Sight Reading Piano
- Singing
- TAB Guitar
- Teaching Aids
- Theory
- Tin Whistle Methods
- Trumpet
- Ukulele
- Ukulele Methods
- Violin Viola Cello Double Bas
- Violin Viola Cello Double Bass
- Weddings and Special Occasions
- STANDS & LIGHTS
- STRINGS
- SUNDRY INSTRUMENTS
- TUNING DEVICES
- WOODWIND
EV PL24S Vocal Microphone w Switch
Description
Electro-Voice PL24S Dynamic Supercardioid Vocal Microphone with On/Off Switch
Includes Gig Bag & Stand Adaptor
EV-PL24S
The Electro-Voice PL24S is a professional-grade supercardioid dynamic microphone designed to capture the character of both voice and instrument in live sound applications.
With its balanced frequency response, the PL24's sonic performance is robust and articulate and delivers all around vocal clarity in any live sound situation. The enhanced isolation provided by its supercardioid polar pattern is an excellent defense against system feedback and cross-talk bleed emanating from other nearby sound sources. The result is higher gain before feedback and cleaner stage mixes.
Although designed to be a vocal microphone for music and spoken word, the PL24 will also function well as an instrument or amplifier microphone where a dynamic element capsule would be desired.
Specifications:
- Weight Net: 10.37oz (294g)
- Audio Frequency Response: 80 Hz - 16,000 Hz
- Case Material: Die cast zinc
- Connector Type: 3-pin XLR
- Element: Dynamic
- Finish: Textured Satin Black
- Impedance, Low-Z balanced: 600?
- Maximum SPL: > 140dB
- Mic Type: Handheld
- Open Circuit Voltage: 2.2mV/Pascal
- Polar Pattern: Supercardioid
- Power Requirement: Passive
- Accessories Included: Stand adapter with Euro-thread insert & Soft zippered gig bag
Application Notes
As with most directional microphones, the low frequency response of the PL24 microphone varies with the distance from the sound source. Known as "proximity effect" the bass response of the microphone increases as the working distance to the microphone is reduced. This "bass boost" is only audible when working at distances closer than 6 inches. Using this microphone at distances greater than 6 inches provides minimal coloration from proximity effect.
Proximity effect can be used to your advantage when a thin voice is being recorded. As the vocalist decreases their working distance to the microphone, the low frequency content is enhanced. Close-up positioning of the microphone will also reduce the potential for feedback from the sound reinforcement system. When close-talked, the bass-boost provides an increase in overall microphone output level. The mixer gain may be proportionately reduced, resulting in a reduction of the system's sensitivity to feedback caused by the sound entering the microphone from the loudspeakers.